Candadian Folk-Pop goes Minimal goes Glitchstep

Some backstory: the soulful British singer/producer James Blake released an 11 track self-titled album in February of last year. He has a distinct style that fuses the icy chill of minimalist with the groove and feeling of R&B. Categorized as Dubstep/Post-Dubstep, this a silly misnomer made by silly people. This label doesn’t do his uniqueness justice, and would turn off many a listener who are looking for more depth in their electronic music.

30 seconds into track one and I was already sold. It’s a brilliant album that magnificently ebbs and flows with expertise; one that you’ll leave on repeat because the songs provide something fresh each listen.  Contained in this album is his rendition of a Feist track, “Limit To Your Love.” He slows down the already melancholy tone to a creeping pace, giving the listener time for contemplation and tension to squirm. The bass submerges into something primal at points in the song; it feels tasteful and creative.

Here is James Blake’s version:

For fans of Inception, below is a remix of the cover, sampling Blake’s vocals but redefining the structure of the song. The beat is different, the flow is different. There are at least a half dozen remixes of this song on youtube and this was only one that seemed to do it justice. To create a successful cover, the artist must take only the best aspects of the original and turn the rest into their own work. This gets more complicated as the song delineates from its origins. Put this on while reanimating.

W

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