Tag Archives: remix

Ear Noms: Adventure Club

This is gonna get stuck in your head. You’ll forget about it, it’ll rattle around and fuck shit up! Adventure Club in one of the premiere names in Dubstep this year; every track they release is just “dripping in gold.” Below is a link to their Facebook where you can download a healthy chunk of their music for FREE just for liking them. And honestly, who wouldn’t? Put this on to become Mechagodzilla and rearrange some Japanese infrastructure.

W

Adventure Club’s Facebook

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Get The Funk Up!

Here’s  some goodies you can take with you. A ten song playlist filled with spectacular electronic grooves. Some are uplifting and motivational, others are heartwrenchingly beautiful. They’re all worth a listen. Put this on while exploring jungles, perhaps concrete jungles.

– W

Tracklist:

1. Fracx – For The World

2. Deep Focus – The Truth

3. Ramses B – Lone Wanderer

4. Yume – There There

5. Foxes – Youth (Adventure Club Dubstep Remix)

6. Ollie Macfarlane – True

7. Mr FijiWiji – Apathy ft. CoMa

8. Krewella – Alive (MitiS Remix)

9. MitiS – In My Eyes

10. MitiS – Live Long

Download via Mediafire

For more bass heavy playlists, click here or here
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Candadian Folk-Pop goes Minimal goes Glitchstep

Some backstory: the soulful British singer/producer James Blake released an 11 track self-titled album in February of last year. He has a distinct style that fuses the icy chill of minimalist with the groove and feeling of R&B. Categorized as Dubstep/Post-Dubstep, this a silly misnomer made by silly people. This label doesn’t do his uniqueness justice, and would turn off many a listener who are looking for more depth in their electronic music.

30 seconds into track one and I was already sold. It’s a brilliant album that magnificently ebbs and flows with expertise; one that you’ll leave on repeat because the songs provide something fresh each listen.  Contained in this album is his rendition of a Feist track, “Limit To Your Love.” He slows down the already melancholy tone to a creeping pace, giving the listener time for contemplation and tension to squirm. The bass submerges into something primal at points in the song; it feels tasteful and creative.

Here is James Blake’s version:

For fans of Inception, below is a remix of the cover, sampling Blake’s vocals but redefining the structure of the song. The beat is different, the flow is different. There are at least a half dozen remixes of this song on youtube and this was only one that seemed to do it justice. To create a successful cover, the artist must take only the best aspects of the original and turn the rest into their own work. This gets more complicated as the song delineates from its origins. Put this on while reanimating.

W

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